(Edited slightly from my original review on Goodreads, December 20, 2010.)
The quotes from this book continue to stay with me almost a year after finishing it:
"Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?"
My father spoke with his hands. He was deaf. His voice was in his hands. And his hands contained his memories.
Sign is a live, contemporaneous, visual-gestural language and
consists of hand shapes, hand positioning, facial expressions, and body
movements. Simply put, it is for me the most beautiful, immediate, and
expressive of languages, because it incorporates the entire human body.
Myron Uhlberg loves his family. The way he writes this memoir of his
Brooklyn childhood expresses that in many ways. His childhood was not
typical. As a CODA, a Child of Deaf Adults, and sibling to a brother
afflicted with epilepsy and drugged into oblivion, Myron has to deal
with a lot. He acts as his parents' translator and as a third parent to
his brother. The family lives in the middle of a busy block in New York
City, which provides immediate access to basic needs but also a
surrounding often hostile to people who are different, who cannot
approach the world in the same way as others. Myron recollects with
candor the ignorant and rude remarks he receives from both children and
adults while serving as a go-between for his parents.
He also shares stories from his parents' childhoods, the way they
grew up. Both were surrounded by hearing brothers and sisters; they grew
up with crudely fashioned homemade signs and never felt as close to
their parents as they could have. Their stories are a very personal look
at the way deafness was treated in the early part of the 20th century.
There are, of course, humorous moments as well, but they're very
grounded in the realities of life. Combining the warm, human moments
with the bad times in life, Uhlberg presents a very realistic and human
memoir.
No comments:
Post a Comment